About barbara

I'm sure you are wondering how the blog was named, "The Enchanted Manor". Well, this blog will be like home to me and I wanted a name that reflected my different interests. During a normal day you can find me in several rooms of the house. Maybe I'll be in the living room decorating, or in my craft room working on a project, or in the dining room planning a great dinner party or at the computer in my office planning a great vacation. When you come to visit my blog you might find me in any room! Please return often for ideas and inspiration because this blog will be about decor, craft, celebration and travel. So, welcome to the "Enchanted Manor". Come in, sit down and let's talk!

Craft – Chanel-Inspired Shadowbox

Chanel inspired shadowbox - final

This month, in honor of Gabrielle “Coco” Chanel (born: August 19, 1883 died: January 10, 1971), I wrote a Celebration Post about the famous French fashion designer.  In Part One of a two part series I discuss her personal and professional life in which she changed what women had been previously wearing.  As a result of my research in writing the post, I decided to create a Chanel-inspired Shadowbox.  I made two variations of the shadowbox; one a traditional Chanel style version and a second one that was more personalized using the first initial of my daughter’s name.

Chanel inspired shadowbox

Chanel-Inspired Shadowbox – supplies

  • Shadowbox frame, size will be determined by the size of letters used
  • Letters, version #1 uses the traditional double C that mimics the Chanel logo and version #2 uses the first initial of my daughter’s name, which happens to be a C
  • Quilted fabric, used to mimic a classic Chanel purse.  Craft note: while shopping in my local craft stores I could not find black quilted leather fabric but I did find a dark purple one, so I decided to use black paint to cover the purple color and it turned out great!

Quilted fabric

  • Pearls, version #2 used pearls stickers
  • Glue gun, glue sticks
  • (Optional) gold or white paint

Chanel-Inspired Shadowbox – instructions  

  1. Disassemble the shadowbox, remove glass and frame backing and keep to cardboard backing to use later.
  2. Cut a piece of quilted leather fabric to fit the size of the selected shadowbox. Craft tip: Wrap the fabric around a piece of strong cardboard to create a more solid and stable surface.
  3. Attach the initial to the quilted fabric.  Craft note: in version #1 the gold initials used had a self-sticking back and in version #2 I attached the white initial that I used with a glue gun and glue stick.
  4. (Optional ideas: Use pearls to embellish the display.  Version #1 – the edge of the fabric surrounding the frame could have a string of pearls attached to further enhance the “Chanel” look (I opted not to add the pearls).  Version #2 – I add self-stick pearls attached to the white initial.
  5. Re-assemble the shadowbox, replace glass and frame backing.

Chanel inspired shadowbox - final    Version 2 - final
For more information about the personal and professional life of  Coco Chanel,
please click on the link to Coco Chanel (Part One)

Coco Chanel (Part One)

Coco Chanel - 1909Gabrielle “Coco” Chanel (born: August 19, 1883 died: January 10, 1971) was a French fashion designer who drastically changed the dress design style of what women had been previously wearing for a century.  When Chanel began her first business designing fashionable hats, women had been wearing long dresses, stiffly corseted and made in heavy materials.  Then, when Chanel could not find stylish and comfortable clothing to fit her own needs, she started her own fashion line which featured innovative designs of loose fitting dresses made in easy care fabric.  Her clothing line proved to be an enormous success and her designs set many of the trends that women are still wearing.  Chanel also expanded her fashion line to include accessories, such as jewelry, handbags and fragrance Chanel No. 5 still remains one of the bestselling perfumes of all times.

In Part One of the two part series on Coco Chanel I will discuss her personal and professional life.  In Part Two I will discuss some of Chanel’s contributions to the world of fashion.

The Personal and Professional Life Of Gabrielle “Coco” Chanel

Gabrielle “Coco” Chanel had an improvised childhood, her mother was Eugenie “Jeanne” DeVolle who was a laundrywoman and her father was Albert Chanel a traveling salesman who was frequently absent.  Sadly, when Gabrielle was only 11 years old her mother died of bronchitis.  With her father constantly away from home, the decision was made to send her brothers to work as farm laborers and Gabrielle and her two sisters were sent to a convent.  Aubazine, located in central France, was run by the nuns of the Sacred Heart of Mary as a home for abandoned or orphaned girls.

Life at Aubazine was harsh and when Gabrielle turned 18 years old, she went to live in a Catholic girls boarding home in the small town of Moulins.  During her years at the convent, the nuns had taught Gabrielle how to sew and she soon found work as a seamstress at a small store in Moulins.  To earn more money, Gabrielle often sang at the local cabaret which was frequented by French cavalry officers.  It has been said that the beautiful and flirtatious Gabrielle received the name “Coco” from the officers because one of the most popular songs she sang was “Ko Ko Ri Ko” or another more scandalous possibility was that the name was a reference to cocotte, the French word for a prostitute.

In 1906, Chanel had moved to the small resort town of Vichy to seek work as a stage performer but she failed at finding employment as a singer.  Eventually, she was able to find work in a small shop dispensing glasses of mineral water for the tourists, Vichy was known as a spa town and the water there was said to have curative powers.  Unfortunately the work at Vichy was only seasonal and Chanel soon moved back to Moulins.

Soon after returning to Moulins, Chanel met a former cavalry officer and wealthy heir to a textile fortune named Etienne Balsan.  By the age of twenty-three Chanel had become his mistress and she moved into his chateau, Royallieu, located in Compiegne.  Chanel’s lifestyle improved immensely and she was soon living a leisurely and lavish life with days spent in equestrian pursuits and nights socializing with Balsan and his friends.  Balsan indulged Chanel’s every whim and showered her with gifts of beautiful dresses and jewelry.  But Chanel had many hours of idle time and she was looking for a diversion to fill the hours of the day.  So, she began making her own hats mostly because she could not find the styles that she preferred.  Some of the women that came to Royallieu liked her hats and requested that Chanel make ones for them.

Coco Chanel 10

In 1908, while Chanel was living at Royallieu, she met the man that would become the “love of her life”.  Captain Arthur “Boy” Capel was an English aristocrat and he was a close friend of Balsan.  By 1908, Chanel and Capel had fallen deeply in love and Chanel had left Balsan and she moved to Paris staying in an apartment paid for by Capel.

Capel also financed Chanel’s first venture into the fashion industry.  After Chanel arrived in Paris she wanted to earn her own money which she felt would give her more independence.  In 1910, she decided to start a milliner business and she opened up a small store, Chanel Modes, located at 21 rue Cambon.  Initially she sold to the upper class acquaintances that she met through Balsan and Capel but her business grew when a French actress named Gabrielle Dorziat wore one of Chanel’s hats in a play and it caught the attention of the fashionable women in Paris.  This led to Dorziat wearing several of Chanel’s hats in a French fashion magazine, Les Modes, in 1912.  The ladies of Paris all wanted a Chanel hat.

Then, while on a vacation with Capel to Deauville, Chanel once again came up with a fashion idea out of the necessity of not finding any resort clothing that met her style.  She borrowed clothing from Capel, such as a striped shirt, a knit sweater, a pair of comfortable pants and she even wore a mariniere, a shirt usually worn by sailors.  Chanel caused a sensation wearing these outfits and immediately found a need for women visiting the resort who also wanted comfortable clothing.  Chanel soon developed a line of loose fitting dresses made in an unusual light-weight jersey fabric.  Capel, aware of another good business opportunity, decided to finance a store for Chanel located in Deauville where she would be able to easily sell her new fashion line. She recruited her two sisters, Antoinette and Adrienne, to wear her dress designs on promenades down the boardwalk and around the town to advertise.  Business was so good that Chanel opened a second store location in Barritz, which opened in 1915, it also proved to be very successful and Chanel was able to pay back the loan from Capel.

Coco Chanel 1920 - 1    Chanel dress sketch 1917

Despite the fact that Chanel and Capel were very much in love, their affair ended in 1918 when Capel was obligated to marry an English women, Lady Diana Wyndham.  After being together for almost ten years, Chanel was heartbroken and then totally devastated when a year later Capel died in a tragic car accident.  After the death of Capel, Chanel dedicated herself to her new clothing business concentrating on new designs and marketing to increase sales.   After a period of mourning, Chanel also moved forward with her personal life and she briefly became romantically involved with the Grand Duke Dmitri Pavlovich, the cousin of Nicolas II who was the last czar of Russia.  After their relationship ended, Chanel and the Grand Duke were still able to maintain their friendship which lasted throughout the years.

In 1919, Chanel’s fashion business had become so profitable that she was able to buy the entire building at 31 rue Camdon, the site was not very far from her previous location in Paris.  After the building renovations were completed she opened the doors of the beautiful new store and it set the standard for future fashion stores where not only dresses but an extended variety of accessories could be sold.

31 Rue Cambon

In 1920, Chanel met the composer, Igor Stravinsky, who was working with the Ballets Russes in Paris.  When Stravinsky needed a place for his family to stay, Chanel let them stay at a property she owned in a suburb of Paris.  During that time Chanel took on a commission for Stravinsky to design the costumes for the Ballet Russes production of “The Rite of Spring” as a personal favor but in the end when the project had been completed Chanel had taken a huge financial loss.

The first real relationship that Chanel entered into after the death of Capel was with the French poet, Pierre Reverdy.  Chanel and Reverdy were together from 1921 to 1926 and afterwards they went their separate way they were still able to maintain a forty year friendship.  Reverdy became a great mentor for her and he is largely credited for writing many of Chanel’s published statements.

Coco Chanel 1920 - 2

Chanel continued to find professional fulfillment in her fashion designs but throughout the years was still constantly looking for ways to expand her business.  In 1922 she was introduced to Pierre Wertheimer, the director of the Bourgeois perfume and cosmetics company through her connections to Theophile Bader.  Chanel worked with Ernest Beaux, a Russian-French perfumer to create the chemical formula for a special fragrance.  At that time upper class women wore traditional perfumes made from the pure essence of a single flower while ladies of the lower class wore more sensual perfumes made from animal musk.  Chanel No. 5, which was sold exclusively in the Chanel stores, was a combination of the two different scents perfectly blended for the new modern women of the 1920s.

After entering into the agreement with Wertheimer and Bader, a separate company was created called Parfums Chanel.  The arrangement was that Wertheimer would receive seventy percent, Bader would receive twenty percent and Chanel would have the remaining ten percent but she would have no involvement in the actual running of the business.  Years later, Chanel realized her error in being “tricked” into such a low percent of the company when the profits of the sale of the perfume reached nine million dollars annually.  She was also concerned that the original formula for Chanel No. 5 had been altered and was being produced inexpensively with inferior ingredients to meet the high consumer demands.  It would take twenty years of legal battles to finally reach a settlement and a new arrangement was agreed upon paying Chanel retroactive outstanding profits not paid to her and also increasing her percentage of the future profits, her earnings from Chanel No. 5 sales would be almost twenty-five million dollars annually.

In the mid-1920s, Chanel was introduced to Hugh Grosvenor, the Duke of Westminster while on a trip to Monte Carlo.  This would be her opportunity to enter into the privilege world of the British nobility moving in the same circles as Winston Churchill and Edward, the Prince of Wales.  Chanel and the Duke quickly became romantically involved and he set her up in an apartment in the prestigious area of London known as Mayfair.  The Duke lavished Chanel with extravagant jewels and expensive gifts and paintings.  In 1927, the Duke gave Chanel the deed to land that he had purchased on the French Riviera.  A charming villa was built on the property and she named it La Pausa which translated as “restful pause”.  When planning her new home Chanel had included the architect included features inspired by Aubazine, the convent where she spent her childhood.  The love affair of Chanel and the Duke lasted ten years and during that time the Duke introduced her to Edward, the Prince of Wales.  The Prince and Chanel enjoyed a brief flirtation but he was destined for another romance that would eventually cost him the throne of England.

Coco Chanel 1931

In 1931 Chanel met Samuel Goldwyn, the famous Hollywood movie studio owner, through an introduction by her longtime friend, the Grand Duke Pavlovich.  Goldwyn would eventually hire Chanel to design costumes for MGM.  She traveled twice a year to Hollywood but, despite the fact that she was paid an exorbitant salary, she disliked the work and her fashion designs did not translate well on the movie screen.  Chanel went on to design costumes for several French films but these projects were temporary work and her fashion design business remained her major focus.

On a personal level, Chanel had associated herself with a group of elite members of the Parisian art world; one of those was her good friend Misia Sert.  It was said that this bohemian group was known to be right-wing politics and they were also known to be sexually provocative and emotionally unstable probably fueled by their drug addictions.  French illustrator, Paul Iribe, was one of the members of this group and Chanel and Paul soon became romantically involved.  The couple was together from 1931 until Iribe’s death in 1935.  During that time Chanel collaborated with Iribe on designs for a jewelry collection featuring diamond set in platinum which was commissioned by the Guild of International Diamond Merchants, the exhibition of the jewelry drew large crowds.  Chanel was to become Iribe’s muse and her image appeared in several of his published drawings throughout the years.

By 1935, the House of Chanel had become a very prosperous business that employed four thousand people but a year later, everything changed with the onset of World War II, Chanel closed several of her stores and 3,000 employees were let go during the general labor strike.  Even though Chanel retained her apartment above the store on 31 rue Camdon, during the German occupation of France, Chanel choose to live at the Hotel Ritz.   Most citizens of Paris fled with the invasion of France by the Germans, so it seemed an unusual choice for Chanel to remain in the occupied city living at the Ritz where several German military officers had move into.  Years later there has been some documentation that proves that Chanel was possibly working with the Germans as a Nazi spy during the war.  When charges were brought against Chanel it is said that Wintson Churchill intervened on her behalf and the charges were dropped without further inquiry.

Coco Chanel - pearls 1

In 1945, after World War II had ended, Chanel moved to Switzerland where she stayed until 1954 but before returning to Paris, Chanel sold her French Riviera villa.  With her personal life in order, Chanel decided to revive her professional career.  The world of fashion had drastically changed and the industry was dominated by men, such as Christian Dior and Cristobal Balenciaga.  But once again, Chanel thought that the 1940s style of padded shoulder jackets and tight waisted skirt and dresses were impractical and very restrictive for women to wear and she was inspired to design again.  Oddly, Chanel’s new venture back into fashion and the reestablishment of the House of Chanel was financed by an old enemy, Pierre Wertheimer.

FRANCE - COCO CHANEL

In 1954, when Chanel’s new fashion line debuted there was very limited favorable response for most of Europe, this could possibly be attributed to the stories because of Chanel’s association with Nazis but it did not stop the British and American customers from favoring her collection.  It was during this time that Chanel designed some of her most iconic fashions, such as the classic Chanel two piece day suits made in tweed and fully lined that is still very popular today.

Chanel dress sketch 2

By 1971, Chanel had grown noticeably disagreeable and sometime hostile to her employees and was generally unhappy in her professional life.  She also felt very lonely in her personal life and had been without a male companion for several years.  On the day before she died, she had been working on her Spring fashion collection and when she returned from a long drive she was feeling very ill.  The next morning, January 9, 1971, she died of natural causes at the Hotel Ritz, she was 87 years old.  Coco Chanel is buried in the Bois de Vaux Cemetery in Lausanne, Switzerland.

Chanel grave

For more information a fun craft post including a list of supplies and instructions, please click on the link to Chanel-Inspired Shadowbox.

Decor – Displaying Hawaiian Vacation Souvenirs

Hawaiian vacation souvenirs

As I mentioned in a previous Décor Post, Displaying Travel Souvenirs, in the library of our home nestled among the books are several items that we have collected over the years during our travels across the United States and other distant places such as Europe and Asia.  I have found that shadowboxes are an excellent way to display these travel souvenirs.

One of the keys to displaying travel souvenirs is thinking about how the items will be framed.  For items that have some depth, I have found that shadowboxes are an excellent way to display those souvenirs.  An example of using a shadowbox for travel memorabilia is the shark tooth weapon that we got at the Polynesian Culture Center in Hawaii.  This wonderful piece of craftsmanship is beautifully displayed in a shadowbox but the real purpose of the frame is to that the sharp edges of the shark teeth are enclosed to prevent anyone from handling this dangerous weapon.  (For more information about the Polynesian Culture Center located on the Hawaiian island of Oahu, please click on the link)

Hawaiian weapon and lei

In front of the shadowbox is a piece of driftwood draped with a Hawaiian shell and nut lei.  On the same shelf is a photo of our daughter dressed in her Hawaiian outfit that was taken at the Polynesian Culture Center display in a frame embellished with bamboo and palm trees, also displayed on the shelf is the artificial Hawaiian floral that she is wearing in the photo.  On the other side of the photo is a small glass jar filled with black sand from Hawaii and shells we had gathered from the beach during our trip.

Hawaiian photo and black sand    Hawaiian souvenirs

Also displayed on the bookshelf is a small trinket made of seashells and straw that I bought in Honolulu, it was a very inexpensive item but it is given more importance by displaying it in a small shadowbox.  Two more Hawaiian souvenirs are displayed on the wall of our library near the bookcases; they are more framed Hawaiian souvenirs.  The first is a framed sheet music cover of “Aloha Oe” I had purchased at the small gift shop at the Iolani Palace in Honolulu, Hawaii.  This song was written by Princess Lili’uokalani in 1877 and has become synonymous with Hawaii.  The second piece is hung below and is a beautiful print of the Hawaiian Islands (formerly known as the Sandwich Islands) that was purchased at the Polynesian Cultural Center.   Tucked under the framed “Aloha Oe” music cover is an interesting item from one of the demonstrations at the Polynesian Cultural Center, it is an intricately woven palm leaves shaped into a bird.

Hawaiian framed artworkAll these items are a wonderful way to remember our fantastic trip to Hawaii and are an example of grouping travel souvenirs that tell the story of a vacation trip.  (For some great travel suggestions on what to see and do in Hawaii, please click on the link)

Travel – Polynesian Cultural Center

Polynesian Cultural Center entrance

A few years ago I did a Travel Post, Hawaii – the 50th State, which discussed the history of Hawaii and offered travel suggestions and points of interest to see when planning a trip.  One of those places to visit was the Polynesian Cultural Center located on the island of Oahu about 32 miles from Honolulu.  The Polynesian Cultural Center is a great place to experience the many cultures of the islands of the Pacific Ocean.  In this post I will discuss the origin of the Center as well as important tourist information pertaining to the various activities available for visitors.

A brief history of the Polynesian Cultural Center

The Polynesian Cultural Center is located in Laie on the island of Oahu.  The Center is operated by the Church of Jesus Christ of Latter Day Saints (known as the LDS or the Mormon Church) and it opened on October 12, 1963.  The Center occupies 42 acres located near the Brigham Young University – Hawaii and the LDS Laie Hawaii Temple and for this reason the Center is mostly staffed by BYU students.

Back in the 1940s and the 1950s, the local LDS Church would hold traditional luaus and hukilaus (a festive beach gathering with Hawaiian song and dance entertainment) as a way to earn money to rebuild the local church that was destroyed in a fire.  The gatherings proved to be very popular with the locals and the tourists, so in the 1960s the idea expanded into a permanent theme park/living history museum.  The original purpose of the Center was to provide employment for the BYU students and also to preserve the cultures of Polynesia.

Polynesian Cultural Center - circa 1963

Polynesian Cultural Center Visitor information

When visiting the Polynesian Cultural Center there are several different admission packages.  General admission includes: access to explore the different island villages, the canoe pageant, tram tour of Historical Laie, and the IMAX film “Hawaiian Journey”.  Other packages include a variety of dining and entertainment experiences selections, such as Ali’i Luau dinner/show, the Island or Prime Rib buffets and the evening spectacular “HA: Breath of Life” evening show.  Visitors may also take a free shuttle tour of the BYU campus, the Laie Hawaii Temple ant the LDS visitor center.  For more information regarding the different types of package options and pricing, please see the Polynesian Cultural Center website – www.polynesia.com

Polynesian Cultural Center map

“Hawaiian Journey” IMAX film –

A great place to start a visit at the Polynesian Cultural Center is by seeing the IMAX “Hawaiian Journey” film.  The 14-minute film offers spectacular scenes of Hawaii and features special effects that allow visitors to feel the ocean spray and the rumble of a volcano.  (Special Note:  There are “regular” seats available if visitors do not wish to experience the special effects)

“HA – Breath of Life” evening show – 

The “HA – Breath of Life” evening show is a shown once nightly in the 2,700 capacity Pacific Theatre, the amphitheater is beautifully landscaped with tropical plants and waterfalls.  The show, which premiered in 2011, is an extravagant special effects production with a cast of over 100 performers and tells the story of a Polynesian man named Mana and his journey through life experiencing love, tragedy and triumph.  The show features songs and dances from the different villages featured at the Polynesian Cultural Center.  Of course, one of the highlights of the show is the dramatic fireknives performers.  (Special Note: The amphitheater has terraced seating; according to the Center website they recommend seating in the Ambassador sections although any seat in the house will provide good viewing.  Also, Hawaiian evenings can sometimes get chilly and the theater is open-air, so I would recommend having a light sweater or jacket handy just in case)

HA Breath of Life show    Fireknives

Canoe Pageant –

Meandering throughout the villages is a canal of water and lagoon where once daily there is a special performance featuring the different Polynesian regions.  On each double-hulled canoe, one from each of the different villages, there are performers dressed in colorful traditional costumes which dance and play the music of their region.  The current canoe pageant premiered in May 2010 and is called “Rainbows of Paradise”.  (Special Note: Be sure to check for the Canoe Pageant current show time when you first arrive at the Center and arrive early to the lagoon area before the show to get a good viewing spot)

Canoe pageant 1    Canoe pageant 2

Polynesian Cultural Center Villages – 

As visitors enter the Polynesian Cultural Center, to the right of the visitor/orientation center there are several different Polynesian villages set around the main canal and lagoon.  Starting to the right of the main entrance and moving counter clockwise, the first village visitors will encounter is Samoa, then Aotearoa (islands of New Zealand), Fiji, Hawaii, the Marquesas Islands, Tahiti and Tonga.  Each village showcases their individual culture through entertainment performances and cultural learning experiences through demonstrations, exhibitions and crafts. There is also a special exhibit on Rapa Nui (Easter Island).

Listed below are the Polynesian Cultural Center villages and a brief description of each:

Samoa Village –

Samoa is comprised of two separate areas located about halfway between Hawaii and New Zealand, the independent nation of Samoa and the smaller American Samoa, the only U.S. territory located south of the equator.  Both nations speak the same language and share the same cultural traditions.  Samoans are generally known for their good nature and enjoyment of life.

DCF 1.0

The Samoa village has several presentation times throughout the day and the demonstrations are interesting and very entertaining.  Some of the demonstrations are how to start a fire with two sticks, how to crack open a coconut and how to climb a coconut tree.

Samoa - fire 1  Samoa - fire 2  Samoa - tree climber

Aotearoa (New Zealand) Village –

Aotearoa signAotearoa is the Maori name given to the northern island of New Zealand, the most common translation is “the land of the long white cloud” which has been used by the Maori people for 1,000 years.  (Special note:  As visitors enter the Aotearoa village listen for the traditional Maori greeting “Kia Ora”, which means good health)

The Aotearoa village has a limited number of presentation times throughout the day.  After visitors enter the Maori meeting house, the guides will give a brief explanation of the intricate carving and the symbolic significance of the various architectural features.  The guides will also explain the unusual Maori facial tattoos and their ancient origins, they will also explain the meaning behind their iconic protruding tongue gesture.  Performances at the Aotearoa village include the haka (the Maori war dance) and a rhythmic dance using poi balls (originally made of dried moss wrapped with raupo or flax).  Demonstrations include the tititorea (a Maori stick game) which is used in training hand and eye coordination, the object of the game is not to drop the sticks as they are passed in various patterns and in rhythm to the music.  (Special note:  Before leaving the Aotearoa village, a fun idea for children or adults is to receive a temporary Maori tattoo)

poi ball dance

Fiji Village –

The independent nations of the Fiji Islands are located near the equator.  Historically, the people of Fiji have been known as seafarers that have traveled throughout the Pacific over several thousand years interacting with many of the other Polynesian people.  In 1874 Fiji became a British colony and laborers from India were brought in to work on the sugar plantations then, after almost one hundred years, the British government granted Fiji independence in 1970.

Fiji sign

When visiting the Fiji village, be sure to see the cultural presentations and demonstrations which are given several times during the day.  Visitors will see a Lali (log drum) musical presentation and a poi ball dance.  While in the Fiji village be sure to see the various types of Fiji weapons made from tropical hardwoods, such as the I wau (a type of war club) and I ula (a throwing club with a short handle and bulbous head.

Fiji village - clubs

Also be sure explore the Fiji village temple (Bure Kalou or “spirit house”) and other village houses, such as the Vale Levu (Fijian chief’s house) which has specific doors for servants and visitors, another for the chief’s family and one exclusively for the use of the chief.  Tradition states that anyone entering the chief’s door can be put to death.

Fiji village - temple

Hawaii Village –

Hawaii became the 50th state on August 21, 1959 and is an archipelago (a group of islands stretched over a body of water).  The volcanically formed islands stretch over 1,500 miles in the Pacific Ocean and the eight main islands from northwest to southwest are: Nihau, Kauai, Oahu, Molokai, Lanai, Kahoolawe, Maui and the “Big Island” of Hawaii.  In 1778 James Cook, a British explorer, visited the area and named the islands “the Sandwich Islands” to honor the sponsor of the expedition John Montagu, the 4th Earl of Sandwich.  Throughout the centuries, with the increasing influence of European and Chrisitanity, much of the Hawaiian culture was lost or banned and later through the concerned efforts and encouragement of both King Kalakaua and Princess Liluokalani, there was a resurgence of Hawaiian traditions and customs.

Hawaii sign

The Hawaii village features several different presentations and demonstrations shown several times throughout the day and many will seem very familiar to visitors.  Visitors will see a dance demonstration of the hula which is the iconic and beautiful dance set to music or a chant using the body, specifically the hands and hips to tell a story. Another interesting demonstration is how tropical leaves and flowers can be made into a Hawaiian lei (a floral garland which can be given as a traditional Hawaiian greeting or to show affection).  Visitors should also take the time to tour several of the hale (a Hawaiian house or building) which are traditionally made with pili grass thatched roofs, thus the Americanized nickname of “grass shack”.

Before leaving the Hawaii village, visitors should see the taro (a root plant that is a staple in the Polynesian diet) presentation and demonstration of how it is prepared for eating.  The taro root is baked or steamed in water and then mashed to make poi which is slightly purple in color and the consistency can vary from very thick to thin depending on the preference of the cook or their guests.  (Special Note:  If you are interested in tasting poi, visitors are given the opportunity at the end of the presentation and I would recommend giving it a small taste!)

Hawii - poi

Tahiti Village –

Tahiti is a French Polynesian archipelago comprised of volcanic islands located in the southern portion of the Pacific Ocean.  Modern Tahiti is a wonderful blend of ancient Polynesian heritage with French sophistication and style.

Tahiti sign

The Tahiti Village has many presentations and demonstrations that are scheduled throughout the day.  Visitors will see a demonstration of the ote’a, a traditional Tahitian dance with fast hip-shaking to loud rhythmic to ‘ere drum beats.  The Tahiti Village also has demonstrations which show how the Tahitians make both flower and shell leis, visitors can also sample delicious Tahitian coconut bread or participate in a spear-throwing competition.

Tonga Village –

Tonga is a Polynesian sovereign state, has never been ruled by a foreign power and is an archipelago made up of 177 islands that are spread over 500 miles.  Fifty-two of the islands are populated and most have white sand beaches, coral reefs and tropical rain forests.

Tonga sign 1

Tonga is known as the “friendly islands” and as visitors walk around the village it is easy to see why.  Presentations and demonstrations include performances of both the lakalaka (considered the national dance of Tonga) and the mauluulu (a type of sitting dance).  Be sure to see one of the most popular presentations of the ta nafa (Tongan drum)  

Other Exhibits at the Polynesian Cultural Center-

Rapa Nui (Easter Island) Exhibit

As visitors move through the many Polynesian villages, there is an exhibit on Rapa Nui also known as the Easter Island.  Rapa Nui is a Chilean island in the southeast portion of the Pacific Ocean and, according to Polynesian ancient oral history and supported by linguistic specialist, a Marquesas Island chief that led his people to the island about 1,500 years ago.  The name Easter Island was given by the Dutch explorer, Jacob Roggeveen, when he visited it on Easter Sunday in 1722.

Rapanui sign 1    Rapa Nui

Rapa Nui is world famous for the several hundred mo’ai (monolithic human figures) which are scattered around the island, the god-like statues are ringa ora (living faces) of the Rapa Nui natives’ ancestors which are positioned on the island to look toward their original homeland.  The mo’ai built at the Polynesian Cultural Center were made from specially formulated cement to closely duplicate the scoria (a type of volcanic rock) found on Rapa Nui, natives from the island were also brought to the Center to carve the cement statues of the exhibit.

Iosepa “Voyage of Discovery” Exhibit –

Tucked away among the villages of the Polynesian Cultural Center is a halau (a place of learning) which holds an almost 60 foot long double-hulled canoe made of Fijian dakua wood.  Twice a day there is a presentation about how the Iosepa is used by BYU – Hawaii as a sailing classroom where students learn about now the ancient Polynesians navigated across the Pacific Ocean, when the Iosepa is not being used during the spring and summer months it is stored at the Center.  Visitors to the exhibit will also learn about how a celestial navigation compass is used, how the canoe is prepared and the activities the “crew” will perform during an ocean voyage.

Iosepa exhibit

This concludes the Travel post on the Polynesian Cultural Center and for more specific visitor information, please check out their website- www.polynesia.com For more tourist information about planning a trip to Hawaii with suggestions on places to visit, please click on the Travel post link to Hawaii – the 50th State.

Jackie Kennedy – Her White House Dresses

Jacqueline Jackie” Bouvier Kennedy (born: July 28, 1929 died: May 19, 1994) was the wife of the 35th President of the United States, John F. Kennedy.  She was the First Lady from 1961 until her husband’s tragic assassination in 1963.  She was young and beautiful, only 31 years old at the start of her husband’s presidency, and during her years in the White House she set the fashion style for the nation in the early 1960s. The American public was fascinated by her simple but elegant clothing, her iconic pillbox hats and bouffant hairstyle.

Her chosen designer, Oleg Cassini, was selected shortly before the inauguration just as he was just emerging in the fashion industry.  The First Lady and Cassini worked together throughout her husband’s presidency, collaborating on her wardrobe for official engagements which would reflect Jackie’s personal sense of style, with a distinctive and subtle European fashion design while being manufactured in the United States.  The dresses had simple, clean lines featuring A-line skirts, three-quarter length sleeves or most often sleeveless sheaths matching coats or two piece suits consisting of a simple straight skirt and matching jacket for daytime events. Also for daytime wear shoes, gloves and hats were custom made or purchased to match each individual outfit.  Although Halston did not originally come up with the pillbox hat design, he did make several custom hats for the First Lady.  For nighttime engagements, such as State dinners or other more formal occasions, the dresses were either knee-length or floor-length, depending on the event, and similar in their design elements but made from elegant fabrics sometimes with chiffon, beading or silk embroidery accents.  Cassini produced over 300 dresses for Mrs. Kennedy during her time in the White House and all the dresses were made by a staff of skilled seamstresses specifically assigned for making the clothing for the First Lady using fabrics of the finest linen, wool, satin and shantung silk.  Cassini was not the only fashion designer of Mrs. Kennedy’s dresses during the White House years and occasionally she collaborated with other designers.

In 2002, while on a visit to Washington, D.C., I saw the “Jacqueline Kennedy – the White House Years” exhibit which featured several of her dresses worn during that time.  It was a great experience to see these dresses that inspired and set the style for a generation and upon see the displays, the dresses were beautifully made with wonderful detailing.

So, let’s start by looking at a few of Mrs. Kennedy’s iconic dresses which she worn as the nation’s First Lady.  The dresses are listed in chronological order dating from the beginning of her husband’s presidency with the Pre-Inauguration Gala through to the end with the assassination and funeral of President Kennedy.

Pre-Inauguration Gala Dress –

For the Pre-Inauguration Gala Dress held on January 19, 1961at the National Guard Armory in Washington, D.C.  The night before President Kennedy’s Inauguration Day the city was hit with a major snow storm that brought over eight inches of snow.  When Mrs. Kennedy left for the Gala from their Georgetown home, the snow was lightly falling but she was wearing no coat over her lovely dress.  Cassini designed a beautiful ivory silk sating evening gown with a fully lined A-line skirt and three-quarter length sleeves which Mrs. Kennedy worn with elbow length gloves.  The detail of the cockade (a knot of ribbon or fabric with a circular shape in the middle) which was attached at the waist was per Jackie’s request was a nod to her French Bouvier ancestry.  (Fashion Note:  Some fashion critiques think that this dress worn for the Pre-Inaugural Gala was the more beautiful than the gown that was worn for the Inaugural Ball the next day and I would have to agree with this assessment)

Pre-inaugural gala dress    Inauguaral gala dress - closeup

Inaugural ball dress 2a

Inauguration Ceremony Dress and Coat –

On President John Kennedy’s Inauguration Day, January 20, 1961, Cassini designed two separate pieces – a simple dress and coat both made of beige wool crepe.  Cassini selected the fabric for the coat specifically because he knew that the other political wives would be wearing their heavy fur coats “looking like overstuffed bears” and he wanted the new First Lady to look both youthful and fashionable.  The over-blouse dress featured a simple round neckline, three-quarter length sleeves and a notched detail at the waistline.  Worn over the dress was an equally simple knee-length coat which featured two large buttons at the front and two side pockets at the hip.  To complete her ensemble, Mrs. Kennedy wore a small sable circlet at her neck, a matching sable muff and a Halston pillbox hat which she chose to wear toward the back of her head.  (Fashion Note:  Numerous Halston pillbox hats were custom made for Mrs. Kennedy throughout her husband’s presidency and would later become a fashion accessory strongly associated with the First Lady)

Inaguruation ceremony - dress    Inaguruation ceremony - coat

Inaguration ceremony coat and dress

Inaugural Ball Gown and Cape –

On the evening of Inauguration Day; after the swearing-in ceremony, congressional luncheon and parade, President Kennedy and Mrs. Kennedy formally dressed for the several Inauguration Balls planned for the night festivities.  Mrs. Kennedy wore an off-white sleeveless gown made of silk chiffon over peau d’ange (satin-weave fabric) featuring a strapless bodice embellished with silver colored silk embroidery thread and seed pearl beading, a matching cape  with toggle closure at the neck was worn over the dress.  The dress was designed in collaboration with Mrs. Kennedy, who drew the sketches of her dress ideas, and Ethel Frankau of Bergdorf Custom Salon located in New York City.

Inauguaral ball dress 1    Inaguruaral ball cape
 

Inauguaral ball dress - closeup Inaugural ball dress 2a

Ivory Embroidered Evening Gown –

During the first year of President Kennedy’s administration, a State Visit was planned to France where the President would have several meeting with Charles de Gaulle the leader of the French Republic.  Mrs. Kennedy had been a longtime admirer of French Fashion Design but for the visit she had planned to wear American designs exclusively with the exception of a particular dress.  For the dinner at Versailles, France on June 1, 1961 she wore a stunning Givenchy evening gown of ivory ziberline (a heavy silk fabric with a twill weave) which featured an A-line skirt.  The bodice of the dress was heavily embroidered with roses and lilies of the valley created by Hurel with silk thread, ribbon and seed pearls.  (Historical Fashion Note:  The dress was worn again for a congressional reception held in the White House on April 10, 1962)

Ivory emroidered evening dress 1    Ivory embroidered evening dress closeup
 

Ivory embroidered evening dress 3    Ivory embroidered evening dress 2        

Blue Evening Gown –

This lovely dress was worn by Mrs. Kennedy during a State Visit to England for a dinner hosted by Queen Elizabeth II at Buckingham Palace in London on June 5, 1961.  The designer was Chez Ninon and the light blue silk shantung evening dress featured a belt with a decorative bow at the waist that created soft pleats, the dress was an interpretation of a Givenchy dress.  (Historical Fashion Note:  The dress had been worn previously for a dinner with the Prime Minister of Japan, Hayato Ikeda, at the Japanese Embassy in Washington, D.C. on June 22, 1961)

Blue evening dress 1 PX 96-33:17

Red Dress –

During the Kennedy administration, Mrs. Kennedy was responsible for an extensive White House restoration.  When the project neared completion, a special CBS pre-recorded televised tour of the White House was given by Mrs. Kennedy on February 14, 1962 and was watched by millions of Americans; incidentally she won an Emmy for the broadcast.  For the televised program, Mrs. Kennedy wore a two-piece day dress by Chez Ninon featuring long sleeves and a bateau neckline (a high wide neckline that follows the curve of the collarbone ending at the shoulder seams), the dress is said to be a copy of a Christian Dior original.  To complete her ensemble, Mrs. Kennedy wore a three strand pearl necklace and pearl earrings.

White House - television tour dress 1 White House - television tour dress 2

Black Dress –

Before traveling to India for a diplomatic trip, Mrs. Kennedy stopped in Rome and had an audience with Pope John XXIII at the Vatican on March 11, 1962.  Per the strict rules of the Vatican regarding papal visits, Cassini designed a full-length long sleeve black dress made of black alaskine (a sturdy fabric that is a blend of wool and silk) worn with a stiff taffeta petticoat underneath.  To complete her ensemble, the First Lady wore a long black mantilla (a lace or silk veil or shawl worn over the head and shoulders).

Black Dress - Vatician visit    Vatican black dress 1

Apricot Dress –

Mrs. Kennedy traveled to India and Pakistan with her sister, Lee Radziwill, on a diplomatic tour on March 12-26, 1962.  Taking inspiration from the countries she was to visit, her wardrobe for the trip was designed in more colorful colors.  A perfect example of this was the bright dress she wore on March 17, 1962 which she wore for a boat ride on Lake Pichola in Udaipur, India.  She wore a Cassini designed sleeveless apricot colored, knee length dress made in ziberline (with a v-neckline which was accented with a bow at the waist.

Apricot dress 1    Apricot dress 2

Pale Yellow Dress –

During the diplomatic trip to India and Pakistan, Mrs. Kennedy wore a dress designed by Gustave Tassell.  The dress was made of pale yellow silk shantung and featured a slit opening at the neckline, cap sleeves and a three-inch wide band around a fitted waist with a full skirt.  While in Jaipur, India, where the First Lady met with members of the Peace Corps, she was joined by her sister for an elephant ride at the Amber Palace.

Yellow dress 1 Yellow dress 2

Celadon Evening Dress –

Mrs. Kennedy wore a lovely evening dress designed by Cassini in a beautiful shade called celadon (a light green color) made in a silk jersey.  The dress is very fluid in style and features a gently draped bodice and skirt forming soft pleats.  Mrs. Kennedy wore the dress to a dinner honoring the Nobel Prize winners which was held at the White House in Washington, D.C. on April 29, 1962.

Celedon evening dress 1    Celedon evening dress 1a

Celedon evening dress 2a

Pink Evening Dress –

State Dinners at the White House were always formal events and the one honoring Andre Malraux, the French Minister of Culture.  Malraux was responsible for bringing the Mona Lisa portrait by Leonardo da Vinci to the United States and a dinner was held at the White House on May 11, 1962 to honor him.  Mrs. Kennedy wore an evening gown designed by Guy Douvier made in a soft pink silk shantung, the dress wraps together in the back and is tied with a stiff Kabuki-style bow.

Pink evening dress 1    Pink evening dress 1 - back closeup

Pink evening dress 2

Pink Chanel Suit –

During a fateful political trip to Texas, Mrs. Kennedy accompanied President Kennedy scheduled for November 1963.   The trip started with their arrival in San Antonio on November 21 with additional stops in Houston and Forth Worth.  The next day, November 22 there were additional events in Fort Worth then onto Dallas and Austin followed by a weekend at Vice President Johnson’s Ranch for some relaxation.  On the second day Mrs. Kennedy wore a Chanel styled suit which was possibly purchased from the Chez Ninon ready-made collection, the outfit was a personal favorite of her husband.  The pink boucle wool suit featured two pieces, a double-breasted jacket with a navy blue collar and a straight skirt.  (Fashion Note:  It was later confirmed in a Coco Chanel’s 2010 biography that the suit was created with the approval of Chanel using fabric, button and trim supplied by the company but made in New York by Chez Ninon.  The reasoning was that for patriotic purposes the suit was made in the United States and not in France)

article-2510064-1983B6E000000578-858_634x888    article-2510064-1983B6EF00000578-245_634x765

Tragically, while the motorcade was traveling through the streets of downtown Dallas on November 22, 1963 President Kennedy was shot and fatally wounded, and later died at Parkland Hospital.  In the aftermath, Mrs. Kennedy’s pink suit was stained with her husband’s blood and when asked if she wanted to change she responded, “No, I want them to see what they have done to Jack”.  When Air Force One was on route back to Washington, D.C., with the President’s body placed in a coffin at the back of the plane, the new President Lyndon Johnson was sworn in and he insisted that Mrs. Kennedy was present by his side.  Photos taken that day show a distraught Mrs. Kennedy, hair in disarray and her hat gone missing but still wearing the blood stained pink suit.  Mrs. Kennedy never regretted her decision regarding keeping the suit on until she arrived in Washington, D.C.

article-2510064-1984284100000578-699_634x794 JOHNSON SWORN

Historical Fashion Note:  When Mrs. Kennedy finally removed her pink suit, her maid folded it and placed it in a box that was later sent to Mrs. Kennedy’s mother’s house which she stored in her attic with the simple words, “November 22, 1963”, written on the top of the box.  Eventually, the suit was given to the National Archives, transferred into an acid-free container and stored in a climate-controlled room where it has remained there for several years. In 2003, after Mrs. Kennedy’s death in 1994, her daughter, Caroline (the last remaining member of President Kennedy’s immediate family), officially deeded the suit to the National Archives with the condition that prevents it from being seen by the public until at least 2103.  An interesting point is that Caroline has declined to comment on the reasons for this restriction; it is the only item in the Kennedy assassination collection with this specific limited access and other items, such as President Kennedy’s clothing he was wearing at the time of the assassination and be viewed by researchers that meet special criteria of the National Archives.

For more information about another important dress, her memorable wedding dress, please look for an upcoming post about the wedding of John F. Kennedy and Jacqueline Bouvier.

For more information about the Kennedy Presidential Library located in Boston, MA where many of Mrs. Kennedy’s dresses are displayed, please click on the link.