About barbara

I'm sure you are wondering how the blog was named, "The Enchanted Manor". Well, this blog will be like home to me and I wanted a name that reflected my different interests. During a normal day you can find me in several rooms of the house. Maybe I'll be in the living room decorating, or in my craft room working on a project, or in the dining room planning a great dinner party or at the computer in my office planning a great vacation. When you come to visit my blog you might find me in any room! Please return often for ideas and inspiration because this blog will be about decor, craft, celebration and travel. So, welcome to the "Enchanted Manor". Come in, sit down and let's talk!

Decor – Changing Christmas Displays (Part Two)

In the Changing Christmas Displays – Part One post, I discussed how I changed my Fontanini Nativity display from year to year.  I frequently change my seasonal displays by moving them into various rooms of our house or adding different accessories.  In Part Two, I will feature my Department 56 North Pole village display.

One of my favorite Christmas decorations is our Department 56 North Pole Village.  Almost twenty years ago I purchased four of these whimsical buildings; they were the Home of Santa & Mrs. Claus’ home, Santa’s Workshop, Elves’ Bunkhouse and Reindeer Barn.  I also purchased two other important pieces – Santa & Mrs. Claus and the sleigh and eight reindeer set (can’t have a North Pole without Santa!). Over the years, I have added other buildings and accessories, such as the North Pole Gate, the North Pole Train Station and North Pole Forge & Assembly Shop, Candy Cane Lamp Posts, a variety of elves figurines and other accessories.  When I unpack my Christmas boxes from storage every year, I always try to arrange the various North Pole buildings and accessories in different ways and sometimes I will also change the room where I set up the display. 

Shown below are photos from past North Pole Village displays: 

The first year I displayed the North Pole Village in our kitchen bookshelf.  It was very simple and small display with four buildings (Santa & Mrs. Claus’ home, Santa’s Workshop, Elves’ Bunkhouse and Reindeer Barn) and the North Pole Gate.  I used Styrofoam pieces used as platforms for each building and then I covered each shelf with white velvet material to create the illusion of snow (the white material was very inexpensive and it would be used repeatedly over the following years).  At the time, I only had a few accessory pieces which were Santa & Mrs. Claus, the sleigh and eight reindeer and two North Pole pine trees which were placed in the display. 

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The next year I displayed the North Pole Village in the same kitchen bookshelf but arranged the buildings and accessories differently.  I also added several more accessories; such as elves and a few more Christmas trees.  As you can see from the photo above and the photo below, even though I was using the same buildings of my North Pole Village the display looks different from one year to the next.

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The following year, I decided to move the North Pole Village into our living room.  The oak entertainment center had a shelf above the TV that was a perfect place for setting up the display.  I used the same buildings and accessories which I arranged on several different sized boxes to create some interest with a variety of levels and then covered everything with the white velvet material.  Next, I placed the four North Pole buildings and the North Pole Gate onto the shelf.  That year I added a few new pieces; the North Pole Train Station, the North Pole Express Train and the Ticket Booth which were placed on the far right side of the shelf.  Of course, I bought several more elves to add to the display … you could never have too many elves at the North Pole!  I also purchased three sets of three resin Christmas trees for a total of nine trees and I placed these around the display (these trees are an example of using non Department 56 pieces in a display and they were less expensive).

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The next Christmas, we had recently moved from California to the Midwest and our new living room had wonderful built-in wooden bookcases on either side of the fireplace and this is where I set up the North Pole Village.  I arranged the five North Pole Village and North Pole Gate on two shelves and once again I used several different boxes to create a variety of levels covered with the white material.  I had bought a new Department 56 North Pole piece called “Untangling the Christmas Lights” and it was added to the display.  When shopping that year I found a set of miniature “Rudolph the Red-nosed Reindeer” ornaments and also a set of resin rock wall which I thought would be great additions to the display (these ornaments and the rock wall would be another example of using non Department 56 pieces).

2007 Christmas 1

For Christmas the following year I had added a three piece Styrofoam base which I had purchased the previous year at an after-Christmas clearance sale.   The base would prove to be very versatile because it could be placed linked together for one long piece or separated and stacked to create two levels (this is a great example of shopping and taking advantage of sale items after the holidays)  To conceal the three separate pieces and create a unified look, I sprinkled artificial snow.  I also added a background using a tri-fold display foam boards usually used for school projects or presentations, I painted the board with blue metallic paint and clear sparkle paint.  As you can see from the two photos below, the one on the left shows an electrical outlet that I wanted to hide and the one on the right shows the background board which cleverly covers the outlet while enhancing the overall look to the display (this is an example of solving the problem of unsightly outlets, cords, etc.).

2011 Christmas North Pole Village  2011 Christmas North Pole Village with background

The next year I decided to move the North Pole displayto the fireplace mantel in our living room.  Throughout the year a beautiful English landscape painting normally hangs over the fireplace and I replaced it with a special Christmas sign that I made using a Christmas window/wall decal that said “Santa Claus is coming to town” which I knew would look great with my North Pole Village displayed underneath it on the fireplace mantel.  The sign is accented with bronze jingle bells that were the perfect decorative touch!  Next, I used two of the base sections but I had to make a third section because the original middle one was too wide to fit the narrow fireplace mantel.  Then I set out four North Pole buildings, the North Pole Gate and the various accessories.  (This display was featured in a previous post from my blog and for more detailed information on how it was created please click on the link to Setting up a Department 56 Village)

2012 Christmas  Family room fireplace mantel

The following year I decided to move the North Pole display to the library in our home.  I set the display on the same long table that I had previously put my Fontanini Nativity display.  I started by covering the table with burgundy material (this fabric has been used over several Christmas seasons and has been repurposed from year to year)  Then, I used the same three base section from the previous year as well as the four North Pole buildings, the North Pole Gate and accessories.

2014 Christmas 3

The next year I set-up the North Pole display in the same place in our library.  The only difference this time was the addition of a new North Pole building, the North Pole Forge & Assembly Shop.

2015 Christmas

As this post has shown in detail, a Department 56 display can be frequently changed from year to year by moving it to different rooms or areas of your home and also by adding accessories or other decorations to the display.  I hope this will inspire my readers to think about the options for displaying a nativity set in several different ways!

Decor – Changing Christmas Displays (Part One)

During the holiday season, as most readers to my blog will know, I like to change my Christmas displays from year to year.  Sometimes, I will change the location of the displays to different rooms of our house or I will add various accessories or embellishments to the displays from year to year.  In this two part series I will show my annual Christmas displays and how they have changed throughout the years.  In Part One I will feature my Fontanini Nativity display and in Part Two I will show my Department 56 North Pole village display.

When I was growing up my mother had a beautiful nativity set with hundreds of pieces that she always set up under our Christmas tree every year.  One of favorite things to do during the holiday season was to lie on my stomach just looking at the display and the various figurines and sometimes, when my mother wasn’t looking, I would play with the pieces.  Unfortunately, after my mother passed away, I don’t know what happened to her nativity set.  It would have been nice to have one or two pieces for remembrance!  (below is a Christmas 1971 photo of my mother which shows just a small portion of my mother’s nativity set under the Christmas tree)

1971 Christmas - Mom and Barbara

When I first got married, I knew I wanted a nativity set to carry on the tradition for my own family.  There is a wonderful Christmas store in Solvang, California called the Jule Hus (solvangschristmasstore.com) and that is where I purchased my Fontanini Nativity set.  The small starter set came with a stable, Gloria the angel, Mary, Joseph and baby Jesus.  My nativity set will never be as big as my mother’s nativity set but it is just the right size to display anywhere in our house.

The first few years I traditionally displayed the nativity set under the Christmas tree but then as I bought more Fontanini pieces and accessories I wanted to get a little more creative.  One year I displayed them in our entrance hall on an antique sewing machine table.  I raised the nativity stable on a box covered with a piece of sand colored suede material (this material would be re-used again in a variety of different ways for my other nativity displays over the following years).  By that time I had added a few more Fontanini pieces to my collection, which included a donkey, cow, goat, two sheep and a couple of white doves, and set these additional pieces into the display.  To complete the display I added a set of palm trees and ferns, a wooden fence and a couple of miniature clay pots that I had purchased that year. 

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The following year I decided to display the nativity set inside an antique trunk in our living room.  I had my husband cut a piece of wood to fit the dimensions of the trunk to be used as the base and then covered it with the suede material and placed the nativity stable on top.  Next, I cut a large piece of Styrofoam board and covered it with variegated blue cotton fabric to use as a background and then I placed a large flat rock in front (the foam board with blue material would be used again in another year’s nativity display and also in another year for my Department 56 North Pole display).  Then, I set out my original Fontanini pieces and added the ones that I had purchased that year which included the three wise men, shepherds and villagers and a few more sheep and a dog.  To complete the display I had found a lovely white ornament which I hung over the nativity stable as the evening star. 

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The following year, we had recently purchased a large oak cabinet for our living room and I set up the nativity set on top displayed in a way similar to the previous year.  Because I could not safely support the weight, I decided not to use the large flat rock and instead draped the suede material to resemble small hills which added an extra dimension to the display.

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The next year I decided to move the nativity set into our dining room in an oak cabinet that we had recently purchased.  I removed one of the extra shelves and covered the remaining shelf with the suede material and tucked a box under the material and placed the nativity stable on top.  Then, then I added a new sheep shelter which I placed to the left of the stable and two campfire sets.  That year I had purchased several additional Fontanini animal figurines, which included several more sheep, goats, an extra donkey & cow and three camels and herder from the wise men’s caravan.

OLYMPUS DIGITAL CAMERAThe following year, I displayed the nativity set in the same oak cabinet in the dining room but I decided to add more layers to the display.  By separating the Fontanini pieces into the additional layers allowed more room to display the collection and provided a better view of the individual pieces.  As an example of my ever changing nativity display, I had purchased at an after Christmas sale the previous year another nativity stable made of resin with more detailed features which I set out in the center as the focal point of the display (I kept the original wooden stable for possible use in the future for another craft project).

2007 Christmas 2

The next Christmas we had moved from California to our current home in the Midwest.  That year I decided to display the nativity set on top of an antique piano in our library room at the new house, it was a sentimental piece of furniture that had previously been in my husband childhood home in Berlin when his family had lived there for a few years.  Once again, I used the suede material with a small box placed underneath and to the left side to provide some height in the display.  The nativity stable was set on top and because of the size of the surface of the piano top I decided that I would edited down the Fontanini nativity display and only used a portion of my collection (this is another example of changing a display from year to year)

2009 Christmas

By the next Christmas, my husband’s grandmother had passed away and we had inherited an antique table that had been in her family for several years.  I thought that it would be a wonderful idea to honor her memory and incorporate this sentimental piece of furniture into the nativity display.  The table was placed in our library and I covered it with the suede material.  Next, I placed in the center a small piece of Styrofoam which I had painted in several colors of tan and brow to match the material and placed the stable on top.  Once again I edited down the collection to fit the dimensions of the surface of the table and used only selected a small portion of my Fontanini collection.  To add some additional interest, I scattered some sand around the display to create the illusion of the desert location of Bethlehem.

2011 Christmas  22011 Christmas 1

The following year, in keeping with my ever changing Christmas decorating from year to year, I decided to display the nativity set on a larger table which was placed in front of the windows in our library.  Once again, the suede material was used and I positioned the nativity stable on top of pervious Styrofoam base used last year.  Next, I placed the nativity stable on top of the Styrofoam base and set out only a small portion of my Fontanini collection.

2012 Christmas The next year I decided to create a more elaborate nativity display on the same table in our library.  I used a new moss covered base set with two “rock” fences and a “rock” arch piece placed to the back of the display.  Next, the palm trees that I had been using for years were starting to show some wear so I decided to repair them instead of purchasing new ones, I also redesigned a resin water well that I had used in previous displays (these are great examples of keeping the cost down by refurbishing existing items).  Next, I set out some recently purchased display accessories, such as clay ports of grain, basket of fish and another one of olives.  I also added to my Fontanini collection and had purchased four additional figures of a shepherd and several villagers.  (This display was featured in a previous post from my blog and for more detailed information on how it was created please click on the link to Setting up a Fontanini Display)

2013 Christmas

The following year I decided to move my nativity display into the dining room in our home, this was one area of the house that I hadn’t used yet for the nativity set.  I emptied everything out the bottom shelf of the oak china cabinet to make room for the display.  I used the three piece moss-covered base and set the nativity stable in the center and then arranged all the other Fontanini figures and accessories, although I didn’t use the palm trees because height size was too tall it fit in the china cabinet.

2014 Christmas

For this year’s nativity display, I kept it in the dining room but moved it to an antique tea table.  I used only two sections of the moss-covered base stacked on top of each other.  I also changed the palm trees because the weight of the heavy cactus top caused them to be unbalanced.  I replace them with lighter cactus tops and gave some weight to the base of the palm tree by hot-gluing on some metal discs underneath, this worked great and solved the problem of the toppling trees!  Once again, I edited down my Fontanini collection using only a few pieces that would fit the dimensions of the tea table.

2015 Christmas 1

As this post has shown in detail, a nativity display can be frequently changed from year to year by moving it to different rooms or areas of your home and also by adding accessories or other decorations to the display.  I hope this will inspire my readers to think about the options for displaying a nativity set in several different ways!

One last special note:  As you might have noticed in some of the photos shown in this post, the figure of baby Jesus is missing from the manger.  The reason for this is because our family tradition every year during the holiday season is that the manger in the nativity display stays empty until Christmas Eve.  On that evening we read from a beautifully illustrated book that tells the story of the birth of Jesus.  After we are done reading, my daughter will put baby Jesus in the manger and we say a prayer.  It is a lovely moment to remind us of the true meaning of Christmas.

Travel – California Missions (Part Four)

In Part Four of the four part series on the California Missions I will discuss five of the twenty-one missions: Santa Clara de Asis, San Jose, San Francisco de Asis, San Rafael Arcangel and San Francisco de Solano that are all located in Northern California.  But, first a brief history of the California Missions …

In the 17th century Spain sent the Portola expedition led by the Governor of Baja California, a group of military soldiers and several Franciscan Friars.  The expedition would establish permanent settlements in Alta California, defended by the soldiers and Father Junipero Serra was put in charge of the padres that would convert the Native American population to Christianity.

Then, in 1833, the Act for the Secularization of the California Missions followed by the Decree of Confiscation in 1834 removed the administration of the Missions from the Catholic Franciscan Padres and given to the Mexican government.  Eventually the vast properties of the Missions were divided and land grants were given to prominent Mexicans.

In 1848, after the Mexican-American War and California became the 31st State in 1850, the United States Army occupied many of the Missions.  Some of the Missions were used as garrisons and the soldiers lived in converted barracks.  Ultimately, on March 18, 1861, President Abraham Lincoln decreed that the California Missions should be returned to the Catholic Church.  Throughout the following years many of the Missions were abandoned or neglected and fell into disrepair while others became local parishes of the Catholic Church that are still in use today.

Now, the five missions of the Northern California …

Mission Santa Clara de Asis

Mission Santa Clara de Asis was founded on January 12, 1777 by Father Junipero Serra and it is named for Saint Clare of Assisi, it is the eight California Mission.  Located 40 miles southeast of San Francisco, the original site chosen was new the Guadalupe River and within the year a small wooden church was built.  As with most of the Missions in Alta California, the weather and other natural occurrences affected the buildings causing damage and sometimes total destruction.  In regards to the Mission Santa Clara flood, fire and earthquakes created the need to rebuilt or relocate the Mission five times until the current church was constructed in 1825.

During those early years of the Mission Santa Clara, there was often tension between the Franciscan padres at the Mission and the people of the nearby San Jose pueblo, frequently arguments arose over cattle encroaching on the Mission herd and disputes over water rights.  To create a sense of peace within the two separate communities, an order was given to build a long alameda (the Spanish word meaning a long public walkway) connecting the Mission and the pueblo located four miles away.  With the guidance of the Spanish soldiers and two hundred Native Americans the road was soon completed and it was beautifully lined on either side with black willow trees.  It was noted that on Sundays, the people of the pueblo would walk or travel by horse or carriage to attend Mass at the Mission.

Mission Santa Clara De Asis- old 2

As secularization of the California Missions began in the 1830s, the Missions were either sold or given away as land grants.  When the Missions were returned to the Catholic Church by the American government, it was decided that Mission Santa Clara would be transferred from the Franciscan Order to the Jesuit Order in1851.  By 1855, the Jesuits established a college at the site (it was one of California’s first colleges) which eventually became the Santa Clara University.

Mission Santa Clara De Asis - fire

Alterations to the Mission Church took place over the years and the interior of the Mission church was widened to increase the size and to accommodate more seating in 1885.  Then, in 1925 the building was destroyed by a fire and was later rebuilt and restored, it is currently being used as a local parish of the Diocese of San Jose and is located on the campus of Santa Clara University.

Mission Santa Clara De Asis - exterior  Mission Santa Clara De Asis - interior

Mission San Jose

Mission San Jose was founded on June 11, 1797 by Father Lasuen and is named for St. Joseph; it is the ninth California Mission.  Prior to the establishment of Mission San Jose, in August 1796 it was determined that for the safety of travelers along the El Camino Real that additional Missions were required to fill in the gaps between the long stretches of road that were left opened to attacks by the Native Americans.  Thus, Viceroy Branciforte agreed and each of the individual Missions along the route could be reach easily within a day just in case of any conflicts or problems.  Mission San Jose was one of those additional Missions and it would fill the gap between the Mission Dolores and Mission Santa Clara.

Mission San Jose was located on the east side of the San Francisco Bay in an area known as the Fremont plain and populated by the Ohlone Native Americans.  The site that was chosen had an abundant source of water and fertile soil and the Mission would grow wheat, grapes, olives and figs.   But the Mission San Jose was very slow in developing since most of the Ohlone had already been previously baptized at Mission Clara which was located just 13 miles away and there was only a small amount that came to live there.  As a result the padres had very limited help in building the small wooden church so it not was completed until September 1797 and later a larger adobe church was built.

Mission San Jose - old 1

Unfortunately, there were numerous other problems that plagued the Mission San Jose and stifled its growth as a successful Mission.  One of those factors was the Mission’s location which was built near a natural break in the mountains that gave hostile Native Americans from the nearby San Joaquin Valley access to the area and they frequently attack the Mission.  The Native Americans that lived at the Mission were also susceptible to European diseases brought by the new settlers to Alta California and in 1806 a serious measles epidemic drastically reduced the Native American population at the Mission.

After the secularization of the California Mission, the property surrounding Mission San Jose was either sold or given away as land grants.  The Mission buildings were abandoned and fell into disrepair.  In 1848, during the Period known as the Gold Rush, H.C. Smith converted the Mission into a hotel, saloon and general store to service the people on the way to the Sierra Nevada Mountains.  Then, in 1868 a large earthquake along the Hayward fault destroyed the Mission church and the other buildings.  The site was cleared and a Gothic-style wooden church was built over the original church’s foundation, eventually the wooden church was moved to a new location in San Mateo.

In 1973, a major restoration project was started with an extensive archaeological excavation.  Then, in 1982 construction began to build an exact replica of the original 1908 adobe church but with a steel frame as required by the California earthquake building code.  Two of the original statues of Mission San Jose were found and returned and place in the two side altars, the first was a statue of Christ wearing a crown of thorns and the second was the wooden statue of Saint Bonaventure.  The original copper baptismal font was also found.  During the previous excavation process, the marble grave marker of Robert Livermore, a prominent landowner in the area, was uncovered, repaired and replaced in the newly reconstructed church.  The original three Mission Bells were also returned to the reconstructed bell tower.  Today, the Mission San Jose is located in the present day city of Fremont and is used as a local parish for the Diocese of Oakland.

Mission San Jose - exterior  Mission San Jose - interior

Mission San Francisco de Asis

Mission San Francisco de Asis (often referred to as Mission Dolores) was founded on June 29, 1776 by Father Francisco Palou during the de Anza Expedition, it is named for Saint Francis of Assisi who was the founder of the Franciscan Order, it is the sixth California Mission.  Several years earlier, the expedition had inadvertently come across the narrow entrance to San Francisco Bay and the Viceroy determined that the location would be suitable for another a mission and a presidio and he ordered that they be built.  Later, de Anza led a group of almost 250 settlers from the Mission San Diego north along the El Camino Real that linked the Missions of Alta California.  The majority of the settlers stayed in Monterey at the Mission Carmel but a few ventured further north to the San Francisco area.  A site for the Mission was found along the Arroyo de los Dolores (“Our Lady of Sorrow” creek) and a wooden church with a thatch roof was soon built.

Mission San Francisco de Asis - old

Later, in 1782 a large adobe church was built with additional buildings, such as a monastery for the padres, housing for the residence, agricultural and manufacturing areas, which were surrounding with a quadrangle.  During those early years of Mission Dolores, the property extended south to San Mateo and east to Alameda with over 125 miles of grazing land for 11,000 heads of cattle, 11,000 sheep and thousands of horses, goats and pigs.  Unfortunately the weather conditions, with almost constant morning fog and limited sunshine, was not conducive for growing crops and other locations further north were considered for additional Missions.

Then, in 1834, the Mexican government secularized the California Missions and the property surrounding Mission Dolores was sold or given as land grants. During the time of the California Gold Rush, the Mission church was covered with wooden siding for a more modern appearance and converted into a hotel and saloon which became known as the Mansion House.  Adjacent to the Mission a large Gothic style brick church was built which appeared to be out of place since the area surrounding the Mission now included additional saloons and gambling establishments which were built, including an arena that held bull and bear fights for entertainment!

Mission San Francisco de Asis - old 1

When the famous 1906 San Francisco earthquake hit the region, the wooden siding that enclosed former adobe church of Mission Dolores was saved from being seriously damaged but the brick church nearby completely collapsed.  Later, the fire that would ultimately destroyed many of the buildings in San Francisco came within yards of the old Mission church but it was saved from any serious damage.  After the earth quake and subsequent fire, the area surrounding the Mission was cleared and a new large stone church was built by the architect Willis Polk to replace the old brick church.  Special care was taken not to damage the old Mission Dolores church adjacent to the new building; it underwent a partial restoration with the wooden siding being removed to expose the original adobe walls.  In the early 1900s, the estate of E.W. Scrips commissioned several sculptures to depict the history of California and a large six foot tall sculpture of Father Junipero Serra by Arthur Putnam was placed in the Mission cemetery in 1918.  It is one of only a few sculpture of Father Serra and depicts him standing wearing the robe of the Franciscan Order which is customarily belted at the waist by a knotted rope, his head is bowed and his eyes are look down.  In 1993, the statue was examined by the Smithsonian institution and found to be in excellent condition despite the many years that it has been exposed to the outdoor elements.

In 1952, Pope Pius XII declared the Mission Dolores the status of a Minor Basilica which was only the fifth basilica to be named in the United States and the only one in the western portion of the country.  Today, the adjacent stone church is known as the Mission Dolores Basilica and the original adobe Mission church is simply known as Mission Dolores.  Today, Mission Dolores is an active parish of the San Francisco Diocese and portions of the old cemetery to the south of the original Mission is now covered by the playground of the Mission Dolores School.

Mission San Francisco de Asis - cemeteryMission San Francisco de Asis - interior  Mission San Francisco de Asis - exterior

Mission Trivia: The Mission Dolores was featured in the 1958 Alfred Hitchcock psychological thriller “Vertigo”, which is based on the 1954 novel “D’entre les morts” (Among the Dead) by Boileau-Narcejac.  The classic plot of suspense, deceit, mistaken identity and death centers on Scottie Ferguson (played by Jimmy Stewart) who is a former police detective that is forced into early retirement because of a traumatic incident which caused him to develop acrophobia (an extreme fear of heights) and vertigo (a sensation of false movement).  Scottie, who is now retired and working as a private investigator, is hired by Gavin Elster to follow his wife Madeline (played Kim Novak), who is behaving very strangely.  In one of the most pivotal scenes in the movie, Scottie follows Madeline to the Mission Dolores.  As she enters the Mission cemetery, she stops at the grave of Carlotta Valdes to leave a bouquet of flowers.  The grave headstone was specifically made as a movie prop and was placed in the cemetery for filming; afterwards it was left there for many years until it was finally removed.

Mission San Francisco de Asis - Vertigo movie 1

Mission San Francisco de Asis - Vertigo movie 3  Mission San Francisco de Asis - Vertigo movie 2

Mission San Francisco de Asis - Vertigo movie 4

Mission San Rafael Arcangel

Mission San Rafael Arcangel was founded on December 14, 1817 by Father Vicente de Sarria to become an extension of Mission Dolores and used as a hospital for the Native Americans; it was fittingly named after Saint Raphael the patron saint of good health.  The site was selected because the weather north of San Francisco was mild and sunny; Mt. Tamalpais provided a barrier from the cold and constant fog from the bay.  Eventually, more patients from the other Missions in the area were sent there to recuperate.  In 1819, a small church was built on the site and the site grew into a relativelt large community.  On October 19, 1822 the Mission was declared independent from Mission Dolores and it was granted full mission stature, it would become the 20th California Mission.

Mission San Rafael Arcangel -old 1

With the Secularization Act of 1833, the Mission San Rafael was confiscated by the Mexican government and the buildings were abandoned and sold or given away as a land grant.  During the time known as the Bear Flag Revolt (June to July 1846) a small group of American settlers in California rebelled against the Mexican government and proclaimed California an independent republic, John Fremont used the Mission as his headquarters.  (Historical Note: The republic was short-lived because the U.S. military began occupying California and it would eventually join the United States as a State in 1850. The Bear Flag became the official state flag in 1911)

In 1861, after the Mission was returned to the Catholic Church, a new parish church was built near the old Mission ruins and all the dilapidated buildings were cleared to make way for the city of Ran Rafael.  Several years later, in 1949, a replica of the Mission church was built near the site of the original hospital and adjacent to the new parish church.           

Mission San Rafael Arcangel - exterior 2  Mission San Rafael Arcangel - interior

Mission San Francisco de Solano

Mission San Francisco Solano was founded on July 4, 1823 by Jose Altimira and it is named for St. Francis Solano who was a missionary to the Peruvian Indians.  The Mission is the 21st and the last of the California Missions to be established and has the distinction of being the only Mission built after Mexico gained independence from Spain.  North of San Francisco the Russians built Fort Ross and the governor wanted to keep them from encroaching further into Alta California so building a mission in this northern region would help to solve the problem.

Mission San Francisco de Solano -old

In 1824, a wooden church was built and was later replaced with a larger church in 1827.  The Mission remained under the administration of the Franciscan padres until 1833 when it was given over to the Zacatecan Order.  Then, in 1834, the present day city of Sonoma was founded and the old Mission church became the local parish church and it was used until 1880.  Most of the property had been sold and in 1910 the site became a California Landmark.  Today, the Mission San Francisco de Solano is part of the Sonoma State Historic Park.            

Mission San Francisco de Solano - exterior  Mission San Francisco de Solano -interior

Mission San Francisco de Solano -end of mission trail

This concludes Part Four of the four part series on the California Missions.  In the series, l discuss all of 21 Missions moving from southern to northern California and starting with the first Mission located in San Diego to the San Buenaventura Mission in Part One, then from the Santa Barbara Mission to the San Miguel Arcangel in Part Two and from San Antonio de Padua to the Santa Cruz in Part Three and then from the Santa Clara de Asis Mission to the most northern Mission San Francisco de Solano in Part Four.

Travel – California Missions (Part Three)

In Part Three of the four part series on the California Missions I will discuss five of the twenty-one missions: Mission San Antonio de Padua, Mission Nuestra Senora de la Soledad, Mission San Carlos Borromeo de Carmelo, Mission San Juan Bautista and Mission Santa Cruz that are all located in Central California.  But, first a brief history of the California Missions …

In the 17th century Spain sent the Portola expedition led by the Governor of Baja California, a group of military soldiers and several Franciscan Friars.  The expedition would establish permanent settlements in Alta California, defended by the soldiers and Father Junipero Serra was put in charge of the padres that would convert the Native American population to Christianity. 

Then, in 1833, the Act for the Secularization of the California Missions followed by the Decree of Confiscation in 1834 removed the administration of the Missions from the Catholic Franciscan Padres and given to the Mexican government.  Eventually the vast properties of the Missions were divided and land grants were given to prominent Mexicans, these became the famous Ranchos of California. 

In 1848, after the Mexican-American War and when California became the 31st State in 1850, the United States Army occupied many of the Missions.  Some of the Missions were used as garrisons and the soldiers lived in converted barracks.  Ultimately, on March 18, 1861, President Abraham Lincoln decreed that the California Missions should be returned to the Catholic Church.  Throughout the following years many of the Missions were abandoned or neglected and fell into disrepair while others became local parishes of the Catholic Church that are still in use today.  

Now, five more missions of the Central California … 

Mission San Antonio de Padua

Mission San Antonio de Padua was founded by Father Junipero Serra on July 14, 1771 and is dedicated to Saint Anthony of Padua who is the patron Saint of the poor; it is the third California Mission.  As Father Serra left to travel with the Portola expedition in establishing other Missions in Alta California, the other padres were put in charge to build Mission San Antonio.  The location chosen for the Mission was a beautiful and peaceful valley where massive oak trees grew situated near the foothills of the Santa Lucia Mountains and with the aid of the local Native Americans a small adobe church was completed in 1782.  The Mission Native American population continued to grow and additional buildings, residences for the padres and barracks for the Spanish soldiers and storage rooms for supplies, were also built.  A system of water distribution was constructed with a dam and aqueducts to distribute water to grow the crops in the fields surrounding the Mission.  A simple but effective water powered grist mill was also constructed for grinding the grain.  By 1813, a larger church was built to accommodate the growing Native American population that lived at the Mission and this is the building that visitors to Mission San Antonio will see today. 

Mission San Antonio de Padua  - old photo

By 1845, the Mexican government had secularized the California Missions and confiscated the property to be given away as land grants or sold.  The Mission San Antonio remained unsold and was abandoned for several decades, during this time the red roof tiles of the Mission were removed and later used on the Burlingame railroad depot.  Eventually the California Missions were returned to the Catholic Church and the Mission San Antonio became a very small parish of the Diocese of Monterey.  Restoration work slowly began on the Mission in 1903 and twenty-five years later the Mission received a generous amount of money from the William Randolph Hearst Foundation to complete the reconstruction.  Due to the remote location, unlike the other California Missions, the area surrounding the Mission San Antonio never fully developed into a permanent city and the closest town is Jolon which is located 6 miles away and visitors must travel several miles through the Hunter Liggett Military Reservation to reach the Mission.  Because Mission San Antonio has remained relatively isolated, visitors are able to experience the remote conditions that the padres would have encountered when they were first establishing the California Missions centuries ago.  Recently, after a series of major earthquake hit both southern and northern California, the State of California has now required that the Mission San Antonio undergo an extensive and very expensive retrofitting that must be completed by 2015.  So, the fate of the Mission remains questionable and sadly there is a possibility that it could be closed permanently.  (As news develops, I will post an update of the current status regarding the Mission San Antonio)

Mission San Antonio de Padua  - exterior  Mission San Antonio de Padua  - interior

Mission Nuestra Senora de la Soledad

Mission Nuestra Senora de la Soledad was founded by Father Fermin Francisco de Lasuen on October 9, 1791 and it is dedicated to Mary Our Lady of Solitude, it is the 14th California Mission.  Mission Soledad is located in the fertile Salinas Valley and the padres had very high hopes that the chosen site would prove to be a good one.  Unfortunately, supplies intended for the Mission were lost or appropriated to another Mission and then extreme weather conditions delayed construction so as a result of these problems it took almost six years for the padres to finally build a small thatch-roofed adobe church, it was eventually enlarged in 1805. 

Mission Soledad - old

Over the following years, more unfortunate events prevented the future success of the Mission Soledad.  The Native Americans that lived at the Mission were affected by a serious epidemic and many died; the remaining ones left the Mission in fear that they would also become infected by this mysterious illness. Then after an unusually severe winter, the buildings collapsed and most of the padres complaining of the cold and damp conditions or stricken with rheumatism were transferred to other Missions.  Sadly, in May 1835, the last padre left at the nearly deserted Mission Soledad, Father Vicente Francisco de Sarris was found dead and lying at the altar of the church.  His body was carried to Mission San Antonio for burial.

The Mexican government secularized and then confiscated the California Missions and the properties were given away or sold.  In 1859, the Missions were returned to the Catholic Church but the Mission Soledad remained abandoned and the buildings collapsed from many years of neglect.  Almost one hundred years later, in 1954, a restoration project was approved and the small chapel was rebuilt, it is currently used as a local parish for the Diocese of Monterey.  In 1963, the padres’ residence was also rebuilt as a small museum.

Mission Soledad - pano 1

Mission Soledad - interior

Mission San Carlos Borromeo de Carmelo

After founding the first mission in San Diego, it was the goal of the Franciscan padres to build a chain of Missions along the coast of Alta California and convert the Native Americans to Christianity.  A group of Spanish military soldiers of the Portola expedition was dispatched from San Diego to travel over 400 miles to northern California to build a Presidio near Monterey Bay.  At the same time, Father Serra and the other members of the expedition sailed from San Diego in April 1770 on the “San Antonio” ship with supplies and equipment.  Mission San Carlos Borromeo de Carmelo was founded June 3, 1770 by Father Junipero Serra and is currently located near the present day city of Carmel; it is the second mission of the California Missions.  The Mission is dedicated to Saint Charles Borromeo who was a 16th century Archbishop from Milan, Italy.

Originally, the Mission Carmel was located closer to Monterey Bay where the Portola Expedition had landed and it took six months to build the church at the Presidio.  A year later, Father Serra decided that the Mission would be better positioned separate from the Presidio to encourage the Native Americans, who had been rather intimidated by the close proximity of the Spanish soldiers, to join the Mission.  A site was chosen five miles to the south of the Presidio in a beautiful and fertile area along the banks of the Carmel River and a new church was built; the old Presidio church formerly used as the Mission continued to be used by the soldiers of the garrison until 1794. 

Circa 1880a

The Mission Carmel church started construction in 1791 and was completed in 1797 under the direction of Father Lausen, the successor of Father Serra.  The stone of the Mission was quarried locally and Manuel Ruiz, a master mason, designed the building.  It is one of the more beautiful of the California Missions and features two asymmetrical bell towers, one designed with a Moorish-style dome, and also a unique star window over the front entrance.  (It has been said that the window was originally intended to be placed on the rectangular side rather than seemingly balanced on one of its points)  The interior of the church features a Gothic-style vaulted ceiling, which was an unusual design for a Mission, and today placed upon the altar is the silver service which was originally used by Father Serra.

Mission Carmel - exterior  Mission Carmel  - gardens

After the Mexican government secularized and then confiscated the California Missions, the property of the Mission Carmel was abandoned for several years.  Then, after President Lincoln decreed that the California Missions be returned to the Catholic Church, the slow process of restoration of the Mission Carmel was conducted in 1884, 1924 and 1936.  In 1933, the control of the Mission was transferred from the Franciscan Order to the local Diocese of Monterey to be used as a parish church.  In 1960, Pope John XXIII designated the Mission Carmel as a basilica.  In 1987, the popular Pope John Paul II visited the Mission as part of his U.S. tour.  Today, the Mission Carmel is a National Historic Landmark administrated by the National Park Service.

Mission Carmel  - Pope John Paul II

Mission Trivia:  Father Serra preferred the setting of the Mission Carmel and decided to make it his headquarters in Alta California, although he continued to travel throughout the region in establishing additional Missions he always returned to the Mission Carmel.  Today, visitors to the Mission will be able to see Father Serra’s room which is furnished rather sparingly due to the padre’s vow of poverty taken in his service to the Catholic Church.  Father Serra died in 1784 at the Mission Carmel and is buried within the church and the large sarcophagus display was created by the sculptor Jo Mora and it depicts Father Serra at the time of his death, with the figures of Father Crespi standing at the head and Father Lausen and Father Lopez kneeling at the foot of the stone coffin.

Mission Carmel  - Father Serra room  Mission Carmel  - Father Serra grave

On September 25, 1988 Pope John Paul II beautified Father Junipero Serra, one of the first steps to being declared a saint, and recently on September 23, 2015 Pope Francis canonized him in a service performed at the Basilica of the National Shrine of the Immaculate Conception located in Washington D.C.  Also a statue of Father Junipero Serra, representing the State of California, has been placed in the National Statuary Hall in the United States Capitol building in Washington D.C. (as shown below in the photo)

Father Serra statue in the US Capitol

Mission San Juan Bautista

Mission San Juan Bautista was founded on June 24, 1797 by Father Lasuen and is named for Saint John the Baptist; it is the 15th California Mission.  The Mission is located near the present day city of San Juan Bautista and is about 17 miles north of Salinas.  The first small adobe church at the Mission was built by the local Native Americans and was completed in 1798.  In the early years of the Mission, the Native American population grew very quickly to over one thousand and by 1803 there were several more building constructed for the padres’ residence and barracks for the soldiers as well as housing for the Native Americans.  The Mission prospered and they grew wheat, barley and corn and also maintained a herd of over a thousand cattle, over 4,000 sheep and over 500 horses.

Mission San Juan Bautista - old

Unfortunately, like some of the other Missions, the Mission San Juan Bautista was built near the massive San Andreas Fault which runs almost the entire length of California.  In 1800 and then again in 1906, the Mission suffered severe damage from earthquakes and the building were repaired several times.  Then in 1949, the Mission received funding from the Hearst Foundations and extensive restorations of the existing buildings began to repair the damage from years of neglect after the secularization and confiscation of the California Missions by the Mexican government.  Most recently, in 2010 the campanario (bell tower) near the entrance to the Mission was rebuilt and three of the original Mission bells were placed inside.  Today, the Mission San Juan Bautista serves as a local parish for the Diocese of Monterey.

Mission San Juan Bautista - pano

Mission San Juan Bautista  Mission San Juan Bautista - interior

Mission Trivia: The Mission San Juan Bautista is prominently seen in the 1958 Alfred Hitchcock psychological thriller “Vertigo”, which is based on the 1954 novel “D’entre les morts” (Among the Dead) by Boileau-Narcejac.  The classic plot of suspense, deceit, mistaken identity and death centers on Scottie Ferguson (played by Jimmy Stewart) who is a former police detective that is forced into early retirement because of a traumatic incident which caused him to develop acrophobia (an extreme fear of heights) and vertigo (a sensation of false movement).  Scottie, who is now retired and working as a private investigator, is hired by Gavin Elster to follow his wife Madeline (played Kim Novak), who is behaving very strangely.  In one of the most dramatic scenes of the movie, Scottie confronts Madeline at the top of a Mission bell tower and confesses his love before she tragically slips and falls to her death.  On the pre-production location scouting trip, the Mission San Juan Bautista was selected because of its bell tower, but unfortunately when the studio returned to the Mission many months later the bell tower had been torn down.  Hitchcock still wanted to use the Mission for the interior and exterior shots anyway and in post-production a painting was used to “re-create” the bell tower and the dramatic height need for the climactic scene of the movie.

Mission San Juan Bautista - scene from Vertigo 1  Mission San Juan Bautista - scene from Vertigo 3

Mission San Juan Bautista - storyboard from Vertigo showing larger bell tower

Mission Santa Cruz

Mission Santa Cruz was founded on August 28, 1791 by Father Lasuen and is dedicated to the Sacred Cross; it is the 13th of the California Missions.  The site chosen for the Mission was located along the banks of the San Lorenzo River and the first church was built measuring 112 feet long, 29 feet wide and 25 feet in height with adobe walls that were five feet thick and by 1795 the quadrangle was completed, it is one of the smallest missions.  Over the following years, despite the fact of its location near the Presidio of Monterey, the Mission was often attacked by hostile Native Americans.

Mission Santa Cruz - painting

In 1787 govenor Diego de Borica founded a small town named Branciforte located across the San Lorenzo River and just five miles east of the Mission Santa Cruz.  The location chosen greatly distressed the padres because the new community would be populated by unsavory settlers that were “bribed” with the offer of an annual salary and housing.  Eventually, the Mission population declined as the Native Americans either ran away or died from disease.  Then, when the California Missions were secularized and then confiscated by the Mexican government, the property of the Mission Santa Cruz was given away or sold and the buildings remained abandoned for many years.

In 1889, the current Gothic-Revival Holy Cross Church was built near the site of the former Mission Santa Cruz and today it serves as a local parish for the Diocese of Monterey.  Located behind the Holy Cross Church and the cemetery is the one of last remaining walls of the original 32 buildings of the Mission.  In 1931, a small one-third scale replica of the original Mission Church was built near the site; currently it is used mainly for private services.  The replica was commissioned by Gladys Sullivan Doyle and she funded most of the construction costs on the stipulation that she be buried inside and curious visitors can view her grave in a small side room.  Today, there is only one original Mission building that was used centuries ago as a dormitory for the Native Americans and it is currently used as a museum for the Santa Cruz Mission State Historic Park.             

Mission Santa Cruz- exterior  Mission Santa Cruz - interior

This concludes Part Three of the four part series on the California Missions.  In the series, l discuss all of 21 Missions moving from southern to northern California and starting with the first Mission located in San Diego to the San Buenaventura Mission in Part One, then from the Santa Barbara Mission to the San Miguel Arcangel in Part Two and from San Antonio de Padua to the Santa Cruz in Part Three and then from the Santa Clara de Asis Mission to the most northern Mission San Francisco de Solano in Part Four.

The Original Mickey Mouse Club Television Show

MMC - show opening

In honor of Mickey Mouse’s birthday (November 18, 1928), this post will be about the original Mickey Mouse Club Television Show.  The show was created by Walt Disney and produced by the Walt Disney Company and was shown on the ABC television network from October 3, 1955 to September 25, 1959.  But first let’s start with some background information …

Before the television show, Mickey Mouse made his official debut in the short film, “Steamboat Willie (1928) which was one of the first sound cartoons.  Mickey went on to appear in over 130 films such as “The Band Concert” (1935) and Fantasia (1940).  Shortly after Mickey’s first appearance in films, the Mickey Mouse Fan Club was started and this lead to the first official gathering of fans on January 4, 1930 at the Fox Dome Theater in Ocean Park, California.  Soon, Mickey Mouse Fan Club meetings were being held throughout the 1930s in theaters across the country.  On April 15, 1930 the Club’s first newsletter, the “Official Bulletin of the Mickey Mouse Club” was published and by 1932 the Club had approximately one million members.

First Mickey Mouse Club meeting  4.0.4

Then, in the 1950s, Walt Disney started the “Disneyland” television show as a way to generate interest, promote and finance his new theme park that was being built in Anaheim, California; it would open on July 17, 1955.  Over the following years new shows were created and produced by the Walt Disney Company, such as “Zorro” and the “Davy Crockett Show” (I know you baby boomers will remember the catchy Davy Crockett theme song and might have even had your very own “coon-skin” hat!!)

So, in the mid-1950s, Disney was looking to produce another television series and he came up with the idea of the Mickey Mouse Club that would be specifically aimed at a young audience to be shown during the afternoon.  The show would feature musical and dance segments, short serials such as “The Adventures of Spin and Marty”, newsreel segments and also short animation cartoons featuring Mickey Mouse and the other Disney characters.  Picked to host the show as the “Head Mouseketeer” was Jimmie Dodd, a Walt Disney Studios songwriter, and the “Big Mooseketeer” Roy Williams, who was a staff artist at the Walt Disney Studios.  Alvy Moore, a comedy actor with stage and film experience, was also used for hosting and narrating newsreel segments and short serials shown within the show. 

Jimmie and Roy

The Mickey Mouse Club television show cast also featured a group of talented children which became known as the “Mouseketeers”.  Disney representatives spent a lot of time traveling the country attending local school plays and musical and dance productions to select the children for the show.  It was important to Walt that the children chosen would be “ordinary” children with no previous professional experience but of course this idea was quickly changed and the twenty-eight children selected for the first season almost all had prior professional experience.  This made perfect sense since the rehearsal and production time required to film a weekly television show would be very fast paced and they need children that were quick learners and that acted responsibly while on the set.

Mouseketters MMC Mouseketeers 1957

Each hour-long show would begin with the opening theme song, the “Mickey Mouse March”, which was written by Jimmie Dodd, who also wrote many of the other songs used in the show.  The song was shown with an animated section showing Mickey Mouse and the other Disney characters including an angry Donald Duck that is not happy with his friend, Mickey, getting all the attention!!  After the theme song opening was the Roll Call scene which introduced each of the Mouseketeers wearing the iconic Mickey Mouse ears hats and dressed in matching shirts with their names printed on the chest, boys would wear pants and girls would wear pleated skirts. The most famous nine “Mouseketeers” were: Sharon Baird, Bobby Burgess, Lonnie Burr, Tommy Cole, Annette Funicello, Darlene Gillespie, Cubby O’Brian, Karen Pendleton and Doreen Tracey.

MMC - Mouseketter intro

Each day of the week had a different theme: Monday was Fun with Music Day, Tuesday was Guest Star Day, Wednesday was Anything Can Happen Day, Thursday was Circus Day and Friday was Talent Round-up Day.  The show would be filled with a variety of musical and dance segments, short serials such as “Spin and Marty”, newsreel segments and also short animation cartoons featuring Mickey Mouse and the other Disney characters.  To end the show, the “Mouseketeers” would gather together and led by Jimmie Dodd, the “Head Mouseketeer”, they would sing the theme song in a much slower, somewhat melancholy version. 

MMC 3  MMC 2

MMC - Thursday

Even though the show remained popular for over three seasons with the television audience, ABC decided to cancel the show after the fourth season with Disney and ABC unable to negotiate a renewal.  ABC subsequently prohibited Disney from taking the Mickey Mouse Club show to another network; Disney filed a lawsuit and won a financial settlement but did agree that the previous episodes of the Mickey Mouse Club show would not be aired on another network.  (Ironically, the successful Disney Company went on to buy the ABC network in 1996) 

The Original Mickey Mouse Club Television Show Trivia

  • Bill Walsh and Chuck Keehne helped to create the Mickey Mouse Club television show after Walt Disney became too busy with his work at both the Disney Studios and the Disneyland theme park.

Mouseketeers with Walt

  • Jimmie Dodd, the “Head Mouseketeer”, had previously enjoyed a brief movie career; he appeared in a small role in the 1948 MGM film “Easter Parade”, before becoming a songwriter and eventually the host on the Mickey Mouse Club television show.  Dodd composed and sang many of the songs on the show that he sometimes played on his unusual Mickey-shaped guitar.

Jimmie Dodd

  • Roy Williams, the “Big Mooseketeer”, was a staff artist at the Disney Studios when he was personally picked by Walt Disney to be on the Mickey Mouse Club television show.  Williams is credited for coming up with the original concept for the iconic Mickey Mouse ears hat worn by the cast on the show.

Roy

  • California Labor Laws regarding children in the entertainment industry were strict about limiting only four hours of work, three hours of school work with a one hour break for lunch daily Monday thru Friday, the children also worked on Saturday with less restrictions.  To maintain these standards for the first season, the cast was divided into three teams; Red, White and Blue.  When one team would be rehearsing, another would be filming and the other would be in school.
  • The Red Team was considered the core unit of twelve “Mouseketeers” that would be seen most frequently on the show; they appeared daily in the opening “Roll Call” scene and in the ending “Alma Mater” scene that closed each show.  The White and Blue Teams had six “Mouseketeers” each and they were used less frequently for musical numbers and skits.  Cleverly, the Disney Studio also used it as a way of controlling the children or the overbearing stage parents because if they were not performing adequately or were causing problems they would be moved to a lower priority team.  Needless to say, during the first season several of the children left or contracts were not renewed.
  • Perhaps the most famous “Mouseketeer” was Annette Funicello, she was personally selected by Walt Disney to be on the Mickey Mouse Club television show.  Walt later guided her career at the Disney Studios with roles in movies such as, “The Shaggy Dog” (1959) and “Babes in Toyland” (1961).  Annette went onto to be a recording artist and also starred in the “Beach Movie” series of films with Frankie Avalon.  Sadly, in 1992 Annette announced that she had Multiple Sclerosis; she died of complications from the disease in 2013.

Annette 1a  Annette 2

  • Bobby Burgess was another popular “Mouseketeer” who later went onto be a regular on “The Lawrence Welk Show” from 1961 to 1982.  While appearing on the show Bobby meet Kristin Floren, his future wife and the daughter of the famous Myron Floren who was the famous accordionist on the Welk show.  The couple had fur children and Bobby is still active in the entertainment industry and also owns a dance studio.

Bobby 1

  • Another “Mouseketeer”, Cheryl Holdridge, went onto to act in the “Leave it to Beaver” television series as Julie Foster, the girlfriend of Wally Cleaver.  She also made guest appearances on other shows, such as “My Three Sons”, “Bewitched” and “The Dick Van Dyke Show”.  In 1964, Cheryl got married and left her acting career behind, she did some documentary work in the mid-2000s and she died in 2009 from lung cancer.

Cheryl Holdridge Leave it to Beaver

  • The two youngest “Mouseketeers” were Cubby O’Brien and Karen Pendleton; the pair were sometimes called the “Meeseketeers”.  Cubby was known as a great drummer and played several times on the Mickey Mouse Club show.  After the show ended, he worked as a drummer on “The Lawrence Welk Show” and “The Carol Burnett Show” and later with the Carpenters pop duo.  Karen left show business after the Mickey Mouse Club ended to concentrate on school; she later earned a Bachelor’s degree in psychology.  In 1983, Karen was involved in a serious car accident that left her paralyzed from the waist down.

Karen and Cubby

  • Throughout the years following the end of the Mickey Mouse Club, several of the “Mouseketeers” would get together to do promotional work for the Disney Company.  In 2005, in celebration of the 50th anniversary of the Disneyland theme park and also the Mickey Mouse Club television show, a group of “Mouseketeers” performed at the celebration.  Some of those in attendance were Sharon Baird, Bobby Burgess, Tommy Cole, Don Grady and Cheryl Holdridge.

Mouseketeers - Disneyland 50th